so it seems from the last post that i had not played the show in sydney by the end of it, so i'll start there... i invited kate carr to join me in the performance, so we played in the same style as the active crossover events, with kate starting, playing a solo set of nice musical parts combined with field recordings. i then joined her for a short collaborative section where both of us were unsure who was playing what(!) and then i continued solo. after playing a laptop set combining recordings from the trip so far, i then proceeded too move around the room grinding two pieces of concrete together that i had obtained from some workmen outside of serial space. the grinding sound combined nicely with some metallic tones i left playing and worked well in the room. we had a nice appreciative crowd and the guys of the now now who organised the show were great. and of course it was a pleasure working and hanging out with kate.
heading back to melbourne the next day, i managed to catch up with anthea varigos, who also goes under the name 'chopin's lovechild' and who i have many mutual friends with, as she used to live in bristol. very nice to meet her after all this time as well as her fella and housemate, then had to run to the airport, fly into melbourne (to an airport waaay out of town called avalon), get a very expensive bus back to southern cross station, get a train to castlemaine that was delayed for over an hour because of an attempted suicide on the line, meet jacques soddell at castlemaine train station, take his speakers and connectors to the icu and then try and relax in preparation for setting up the installation over the next few days. thanks once again to jacques for the loan of all the equipment.
for the whole of the week i was in the icu space composing with my recordings and combining them with the compositions supplied by my 3 collaborators (lizzie pogson, jacques soddell and tarab/eamon sprod), working out speaker placement (6 active speakers), and also using my sound exciters once again to play sounds through resonant objects. it was great to have the time to get it all working without too much pressure. during that week i was also fortunate enough to have (a gorgeous african) dinner in melbourne with eamon, camilla hannan and lawrence english, who was in town for a couple of days.
also during that week i met r
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